I turned by an effort, stumbled over the curate, and stopped at the scullery door. The tentacle was now some way, two yards or more, in the room, and twisting and turn- ing, with queer sudden movements, this way and that. For a while I stood fascinated by that slow, fitful advance. Then, with a faint, hoarse cry, I forced myself across the scullery. I trembled violently; I could scarcely stand upright. I opened the door of the coal cellar, and stood there in the darkness staring at the faintly lit doorway into the kitchen, and listen- ing. Had the Martian seen me? What was it doing now?

Something was moving to and fro there, very quietly; every now and then it tapped against the wall, or started on its movements with a faint metallic ringing, like the movements of keys on a split-ring. Then a heavy body--I knew too well what--was dragged across the floor of the kitchen towards the opening. Irresistibly attracted, I crept to the door and peeped into the kitchen. In the triangle of bright outer sunlight I saw the Martian, in its Briareus of a handling-machine, scrutinizing the curate's head. I thought at once that it would infer my presence from the mark of the blow I had given him.

I crept back to the coal cellar, shut the door, and began to cover myself up up as much as I could, and as noiselessly as possible in the darkness, among the firewood and coal therein. Every now and then I paused, rigid, to hear if the Martian had thrust its tentacles through the opening again.

Then the faint metallic jingle returned. I traced it slowly feeling over the kitchen. Presently I heard it nearer--in the scullery, as I judged. I thought that its length might be in- sufficient to reach me. I prayed copiously. It passed, scrap- ing faintly across the cellar door. An age of almost intolerable suspense intervened; then I heard it fumbling at the latch! It had found the door! The Martians understood doors!

It worried at the catch for a minute, perhaps, and then the door opened.

In the darkness I could just see the thing--like an ele- phant's trunk more than anything else--waving towards me and touching and examining the wall, coals, wood and ceil- ing. It was like a black worm swaying its blind head to and fro.

Once, even, it touched the heel of my boot. I was on the verge of screaming; I bit my hand. For a time the tentacle was silent. I could have fancied it had been withdrawn. Presently, with an abrupt click, it gripped something--I thought it had me!--and seemed to go out of the cellar again. For a minute I was not sure. Apparently it had taken a lump of coal to examine.

I seized the opportunity of slightly shifting my position, which had become cramped, and then listened. I whispered passionate prayers for safety.

Then I heard the slow, deliberate sound creeping towards me again. Slowly, slowly it drew near, scratching against the walls and tapping the furniture.

While I was still doubtful, it rapped smartly against the cellar door and closed it. I heard it go into the pantry, and the biscuit-tins rattled and a bottle smashed, and then came a heavy bump against the cellar door. Then silence that passed into an infinity of suspense.

Well, how was she going to defend herself? Now that she knew what it was, she felt perfectly happy. They thought, or Peter at any rate thought, that she enjoyed imposing herself; liked to have famous people about her; great names; was simply a snob in short. Well, Peter might think so. Richard merely thought it foolish of her to like excitement when she knew it was bad for her heart. It was childish, he thought. And both were quite wrong. What she liked was simply life.

“That’s what I do it for,” she said, speaking aloud, to life.

Since she was lying on the sofa, cloistered, exempt, the presence of this thing which she felt to be so obvious became physically existent; with robes of sound from the street, sunny, with hot breath, whispering, blowing out the blinds. But suppose Peter said to her, “Yes, yes, but your parties—what’s the sense of your parties?” all she could say was (and nobody could be expected to understand): They’re an offering; which sounded horribly vague. But who was Peter to make out that life was all plain sailing?— Peter always in love, always in love with the wrong woman? What’s your love? she might say to him. And she knew his answer; how it is the most important thing in the world and no woman possibly understood it. Very well. But could any man understand what she meant either? about life? She could not imagine Peter or Richard taking the trouble to give a party for no reason whatever.

But to go deeper, beneath what people said (and these judgements, how superficial, how fragmentary they are!) in her own mind now, what did it mean to her, this thing she called life? Oh, it was very queer. Here was So-and-so in South Kensington; some one up in Bayswater; and somebody else, say, in Mayfair. And she felt quite continuously a sense of their existence; and she felt what a waste; and she felt what a pity; and she felt if only they could be brought together; so she did it. And it was an offering; to combine, to create; but to whom?

An offering for the sake of offering, perhaps. Anyhow, it was her gift. Nothing else had she of the slightest importance; could not think, write, even play the piano. She muddled Armenians and Turks; loved success; hated discomfort; must be liked; talked oceans of nonsense: and to this day, ask her what the Equator was, and she did not know. All the same, that one day should follow another; Wednesday, Thursday, Friday, Saturday; that one should wake up in the morning; see the sky; walk in the park; meet Hugh Whitbread; then suddenly in came Peter; then these roses; it was enough. After that, how unbelievable death was!—that it must end; and no one in the whole world would know how she had loved it all; how, every instant . . .

The door opened. Elizabeth knew that her mother was resting. She came in very quietly. She stood perfectly still. Was it that some Mongol had been wrecked on the coast of Norfolk (as Mrs. Hilbery said), had mixed with the Dalloway ladies, perhaps, a hundred years ago? For the Dalloways, in general, were fair-haired; blue-eyed; Elizabeth, on the contrary, was dark; had Chinese eyes in a pale face; an Oriental mystery; was gentle, considerate, still. As a child, she had had a perfect sense of humour; but now at seventeen, why, Clarissa could not in the least understand, she had become very serious; like a hyacinth, sheathed in glossy green, with buds just tinted, a hyacinth which has had no sun.